Philanthropy Women

Women Face Uphill Survival Odds in Health, US Talks But Does Not Walk

The healthcare profession has been promising to increase the number of women included in clinical trials for decades. To be blunt, this has not happened. Women are still woefully underrepresented in virtually all clinical trials. Even the majority of lab mice are male.

The White House has announced a new initiative totalling $900 Million to Launch women in the economy. (Image Credit: Biden Harris Administration)

Not only do researchers fail to include enough women in clinical trials, they often don’t look for differences between how men and women respond to treatments.

The results of this neglect are tragic:

Women are twice as likely as men to die from heart attacks.
When a nonsmoker dies of lung cancer, it’s twice as likely to be a woman as a man.
Women suffer more than men from Alzheimer’s and autoimmune disease.

Despite this, the research into these conditions, and many more, generally fails to examine women as a separate population from men. It’s even less likely to look at disparities affecting women of color – why, for instance, Black women are nearly three times more likely to die in pregnancy than white women are.

Announcing New Documentary Work from Audacious Women

Charlotte Mangin and Sandra Rattley have launched a new production company together named Audacious Women Productions. This new company follows the success of UNLADYLIKE2020. This award winning series has reached over 6 million viewers to date.

Among projects in progress for Audacious Women Productions is Augusta Savage. (Image credit: Audacious Women Productions)

With a mission to uncover and elevate untold narratives of diverse changemakers in bold new ways, Audacious Women Productions extends the impact of its documentary films through the design of multimedia educational resources, and film screenings and events across the country in partnership with community and national organizations. Charlotte and Sandy are thrilled to continue working together to bring inspiring, innovative, and timely stories to intergenerational audiences.

Thankful to Keep Learning as a Quantic Executive MBA Scholar

Hello philanthropy friends! With Thanksgiving in our midst, it seems the perfect time to announce some big news! I am going to pursue an Executive MBA degree with Quantic, a highly selective MBA program that seeks to disrupt the business world as we know it. I am so excited to be going back to school!!!

Quantic MBA — I will be entering the 58th cohort for Quantic, which boasts an 89% graduation rate and very high scores for student satisfaction. (Image credit: Kiersten Marek)

One of the big reasons I am pursuing an Executive MBA is to better understand how to attract markets to feminism and gender equality. In going through the process of applying and interviewing at Quantic, I had the realization that I had already crossed two hurdles: I created a feminist product that people would pay money for and I created a sizable market for this product. Now I will figure out if this product can be expanded, and, beyond that, how to proceed in convening stakeholders in business to move the needle on equal rights for women and girls.

Leah Hendrix-Hunt and Family Featured in New Yorker

At Philanthropy Women, we pride ourselves on being able to stay ahead of the curve in recognizing ideas, discovering significant trends, and identifying the people who make these things happen. We are pleased to note that the The New Yorker is now following our lead. Several years ago, PW ran an interview with Leah Hunt-Hendrix. As a reminder, Hunt-Hendrix is a scion of Hunt Oil, founded by her maternal grandfather.

Dr. Kimberlé Crenshaw’s book, *“#SayHerName: Black Women’s Stories of State Violence and Public Silence”* was recently released. More details below. (Image credit: #SayHerName)

The August issue of The New Yorker ran a story that touches on many of the issues discussed on these pages. Attached below is a link to the interview with Leah that PW published previously. Our interview focused more on the hard news angle, discussing her foundation, Solidaire, and the work it does while the New Yorker article is a bit more chatty, with anecdotes of her family, social status, and the problems presented by being a progressive who happens to be the heir to an oil fortune.

Women and Girls Continue to be Underfunded by Philanthropy

Women and girls represent more than half of the population of the United States. Despite this, charitable giving to organizations serving them represents less than 2% of all philanthropic activity in the U.S. This is according to a new report published Wednesday, October 11 – the International Day of the Girl.

As a percentage of all giving, giving for women and girls decreased in 2020, despite much public discussion about the need to fund women and girls in COVID. (Image credit: WGI)

The Women & Girls Index (WGI), released by the Women’s Philanthropy Institute at the Indiana University Lilly Family School of Philanthropy, finds that while charitable giving to women’s and girls’ organizations in the U.S. increased by 9.2% in 2020, growth of support for women and girls was lower than the rate of growth in overall charitable giving in 2020 (11.3%), even though the COVID-19 pandemic disproportionately impacted women and girls in myriad ways.

It’s Official: Amplify Her Foundation Has Launched

The Amplify Her^® Foundation, a new private grantmaking foundation created to support the economic and social advancement of women changemakers from under-invested communities in New York City, held an official launch celebration. The foundation will also release “If She Can Make it Here,” a comprehensive research report that identifies the most significant barriers faced by women and girls from underserved communities in the city and interventions to help them overcome those obstacles and meet their full leadership potential.

The Amplify Her Foundation has launched to provide more funding for women and girls. (Image credit: Amplify Her Foundation)

“After years of working to advance women in the public, nonprofit and political arenas, what consistently stood out to me was the dearth of funding and support specifically for nonprofit organizations serving women and girls. Women and girls face unique challenges and yet funding is rarely tailored to their needs…” —Marti Speranza Wong, Amplify Her Foundation founder, executive director and board chair.

To The Surprise of No One, UN Report Finds World Failing Women and Girls

The United Nations (UN) set a goal of achieving gender equity by 2030. A new report indicates meeting this goal will be impossible due to deeply rooted biases against women around the world in heath, education, employment and the halls of power, the United Nations said.

The report paints a grim picture of the gender gap, and the ‘lacklustre commitment’ globally to equality for women. It was noted that funding for programmes promoting gender equality and female empowerment globally is ‘inadequate, unpredictable and inconsistently distributed’

“The world is failing women and girls,” UN Women, the agency promoting gender equality, and the UN Department of Economic and Social Affairs said in “The Gender Snapshot 2023” report.

Leaders Fight for Feminist Giving in Congress with First-Ever Hill Day

“The power imbalance in philanthropy—often maintained by those without intimate knowledge of a community’s historical context, the needs on the ground, and the most urgent issues—spurs activists in marginalized communities, especially Black women and girls, to call for more input in determining what should be prioritized, how it should be funded, and who gets the money.” This is the opening paragraph of Feminist philanthropy: Dismantling silos and raising long-term funding (link).

Advocates at WFN’s first Hill Day included Monica Ramirez, Genisus Holland, Jocelyn Frye, Latanya Mapp-Frett and Fatima Goss-Graves. (Image credit: WFN)

Feminist giving, especially that focusing on women and girls, and especially women and girls of color, faces a dilemma. On one side, traditional philanthropic organizations are often hampered by a “white savior” mindset and scrutiny from the patriarchy; on the other, Black women face access issues, and are often not granted adequate trust to control large gifts.

Once Again, A Highly Qualified Woman of Color is Pushed Aside

On September 5, Rhode Island held a special primary election to select the candidates to replace David Cicilline, who resigned as US Representative for USC District 1. The field for the Democratic candidate was crowded with 12 names on the ballot. Due to the deep Blue color of RI politics, the Democratic candidate, whoever was selected, was considered the odds-on favorite to win in the Special General Election in November.

Gabe Amo, Democratic Nominee for Congress (Image credit: Gabe for Congress)

As of June, Sabina Matos, the current Lt Governor, was leading comfortably with polling numbers surpassing 20% of the electorate. Matos is the first Dominican American elected to statewide office in the country and the first Black woman to hold statewide office in Rhode Island. She was supported by the campaign arm of the Congressional Hispanic Caucus.

Ellen Burstyn’s Lasting Legacy as a Philanthropist for the Art of Acting

Ellen Burstyn has attained the pinnacle of success in the entertainment world. She has received numerous accolades including an Academy Award, a Tony Award, and two Primetime Emmy Awards. She is one of only 24 people who have won all three awards, known as the “Triple Crown” of acting.

Ellen Burstyn (Image credit: Marco Grub)

And Ellen Burstyn is also a philanthropist. Her most lasting legacy may not be so much about what awards what she has gotten, but what she has given back. Burstyn has been a member of the Actors Studio in New York City for most of her life and has been a co-president of the Actors Studio for over twenty years. She was instrumental in founding the Actors Studio Master’s program, an MFA degree track (currently hosted at Pace University) that offers tracks in Acting, Directing, and Playwriting for promising young artists.