Activist women donors are the wave of the future for social change. Activism is an essential part of feminist philanthropy. Women donors are often hyper-conscious of their inner-outer integrity as feminists, and work hard to align their activism with their giving. See how women donors take action with feminist activist giving for social change.
Giovanna Lauro, Vice President of Programs and Research at Promundo, talked with Philanthropy Women about finding key entry points for reaching men, in order to change gender norms. Some of these entry points include sports and prenatal education for families.
A great deal of emphasis in feminist philanthropy is placed on women, and changing the role of women in society. But what about men? What role can men play in challenging gender norms, and what initiatives are gender equality organizations taking to reach men?
To further explore these questions, I spoke to Giovanna Lauro, Vice President of Programs and Research at Promundo, by telephone from her D.C. office. Promundo was founded in Rio De Janeiro, Brazil in 1997, working with young men in Rio’s poorest communities on transforming gender norms and concepts of masculinity. It has since taken that approach far beyond Brazil, and its website notes, “Promundo works to promote gender equality and create a world free from violence by engaging men and boys in partnership with women and girls.”
Women Moving Millions is having its annual summit and member day on September 13 at the Bill and Melinda Gates Foundation. At the same time in Seattle, Women’s Funding Network is convening its membership at The Collective in Seattle. Both groups will come together in the evening at the Gates Foundation.
Both the Women’s Funding Network and Women Moving Millions are in Seattle today, meeting with their members. The Women Moving Millions event is co-hosted by the Gates Foundation, and both groups will be meeting up to discuss their work in the evening at the Gates Foundation.
One might wonder if this is an indicator of the increasing involvement of the Gates Foundation in gender equality philanthropy. And, in fact, the evening will close with a cocktail hour for the Women’s Funding Network hosted by Women Moving Millions at the Gates Foundation, so there will be some time for the three networks to compare notes.
Last night, history was made when Ayanna Pressley won the primary over a 10-term incumbent in Mass. District 7. Now, women like Marcia Ranglin-Vassell will face primary opponents in Rhode Island and will need help prevailing next week.
Exuberant emails from organizations like Higher Heights for America PAC say a lot about what an exciting win progressive democrats had yesterday in Massachusetts’ 7th Congressional District. History took a decided turn for progressives as Ayanna Pressley prevailed in a primary over a 10-term incumbent, and will not face a Republican opponent, so has taken the seat in Congress.
How did this happen? Kimberley Peeler-Allen of Higher Heights shared about one important strategy that may have led to this win:
The Woman Project, a new 501(c)4 in Rhode Island, is working to pass statewide legislation for reproductive freedom.
In the wake of Judge Kavanaugh’s nomination to the Supreme Court, reproductive freedom appears to be more threatened than ever. So what’s a pro-choice advocate to do?
One thing that some feminist activists are doing is incorporating their art into their activism. And in Rhode Island, the smallest state in the nation, these art-activists are pushing hard for the state to codify abortion rights so that the service will remain in place in the state even if the federal courts overturn Roe v. Wade.
These art-activists call themselves The Woman Project (TWP), and starting in 2017 as a nonprofit 501(c)4 organization, they are angling to make sure that women’s rights are protected at the state level, starting with access to reproductive services.
Michael Kimmel on May 22, 2018, speaking as part of a panel about workplace culture sponsored by the Women’s Funding Network and other conference partners.
Here’s some disturbing news: a male academic who appeared to be a strong ally of feminism, Michael Kimmel, is facing serious charges of sexual exploitation and other inappropriate behavior.
It’s always extra disturbing when this happens with someone who is considered an ally of feminism, so be prepared to have a full range of emotional reactions to this story.
As you sort through your anger, sadness, confusion, and feelings of betrayal, don’t forget to recognize how this is also a positive story about how women are speaking up and changing the game. Exposing these problems will help prevent future abuse and exploitation, particularly in academia. With the number of women in leadership increasing toward critical mass in different professional sectors, we may hear a lot more reports coming out like those about Michael Kimmel.
The Ms. Foundation’s 2018-2022 Strategic Plan targets low-income women, many of whom are women of color. (Photo Credit: Ms. Foundation Strategic Plan, Building Power: Advancing Democracy)
The nation’s oldest public women’s foundation recently announced that it will steer in a new direction over the next five years — toward growing its commitment to low-income women and women of color by more than $25 million.
In addition, the Ms. Foundation will form its first-ever political fund, which will support the legislative agenda for women and girls both nationally and locally.
With Teresa C. Younger at the helm, the Ms. Foundation for Womenis joining other big funders in the feminist philanthropy space, including the NoVo Foundation and Prosperity Together (the national coalition of women’s funds focused on low-income women and women of color) in making economic, social and cultural equality for women and girls of color a central feature of its strategic plan. “Women of color are a political force to be reckoned with,” said Younger, in a press release announcing the new strategic plan. “In 2018, we delivered unprecedented electoral wins in Alabama, Georgia, and New York — yet we are sorely underrepresented in philanthropic investment, with only 2% of that spending going to women and girls of color.”
Feminism is taking a beating in the summer of 2018, but the fight is far from over.
When the world gets crazy, events in feminist philanthropy become more important than ever.
It’s summer: the time of year when I start feeling like a slouch, like I’m not getting enough done, and may never get enough done again. But then I remind myself of a wise Chinese Proverb: Tension is who you think you should be. Relaxation is who you are.
Relaxation is an essential part of being human. Relaxing doesn’t mean you’re not as rugged as everyone else. It doesn’t make you weak and ineffectual. Relaxation makes you who you are, and who you are becoming.
Marcia Ranglin-Vassell took down House Majority Leader, John DeSimone, in 2016. DeSimone was a close ally of House Speaker Mattiello. Now it looks like the party is trying to take Ranglin-Vassell out.
Bob Plain sums up the sad state of affairs in his post, RI Dem Party Doesn’t Endorse Three Progressive Female Legislators, so I’m going to quote extensively from him. The upshot from my perspective is that the Rhode Island Democratic party’s abandonment of progressive women candidates is a huge misstep for the party, along with their recent endorsement of John Carnevale, who is still on trial for perjury and in 2012 stood trial for charges of first and second degree sexual assault.
Attica Scott, Democrat running for re-election in the Kentucky legislature.
In 2010, Representative Attica Scott graduated from the first class of Emerge Kentucky, which prepares Democratic women to run for office.
In 2016, Attica defeated a 34-year incumbent to become the first Black woman in nearly 20 years to serve in the Kentucky state legislature. Moreover, Attica is the only woman of color in the entire Kentucky legislature. In 2017, Representative Scott was named to Essence Magazine’s list of #Woke100 women in the U.S. She is running for re-election to the state legislature this year.
Attica is an inspiring person and powerful speaker. Here is her Tedx talk:
She is a rising star in Democracy party circles. We here at Philanthropy Women thought you’d like to get to know her a little bit better.
Screenshot from a Facebook discussion: Abigail Disney, left, with Rev. Rob Schenck, right, on the release of his book, Costly Grace.
An email arrived from Fork Films. Who can open and read the mountainous volume of emails one receives these days? This one, however, I opened.
There was Abigail Disney sitting with Rev. Rob Schenck. He is the center point of her own first directed film, The Armour of Light, released in 2015. In the process of making the film, the arch-conservative preacher wrestled with his position on guns, and came to the conclusion that gun use was contradictory to his position on right to life. He has now formed The Dietrich Bonhoeffer Institute to combat present social crises. The current special focus of the Institute is on gun violence in the U.S. from a Christian, ethical perspective. Abigail Disney, filmmaker, activist and philanthropist, is a Governor on his Board of Directors.
Abigail Disney, also a mother and wife, and a beacon of ever-evolving feminist consciousness, is prepared for action. Unafraid to tackle difficult issues – she was a major advocate against the Trump tax bill, despite the huge gains she would personally receive. The Disney heiress has metamorphosed into a principled actor on behalf of the issues that concern her: peace and social justice. Evolution is her forte. While she comes from a major U.S. media family, she did not set out to become a media maker herself.
In May 2008, Abigail wrote a piece for the Huffington Post about how she came to produce the documentary, Pray the Devil Back to Hell. The story focuses on the women’s movement for peace in Liberia and its impact on ending fifteen years of war in the country. In the post, Abigail questions why the mainstream media has been so absent on the job of covering these critical events involving women’s leadership. She wrote: “How was it possible that these Liberian women had accomplished such an enormous feat without having been noticed and reported on by the news outlets I had come to know and trust?”
Her partner in founding Fork Films, Gini Reticker, and director of Pray the Devil Back to Hell, before an audience at the Brooklyn Museum, described early pre-production research on the film. She screened over 80 hours of news footage that captured only a glimpse of the women who daily led peace protests: “I had journalists say to me: ‘I saw the women on the field. But they were so pitiful looking that I didn’t film them,’” Reticker recounted. In contrast, boys captured and forced into a warring militia, clutching AK47s, are glorified in hours of footage. I have written before about this egregious gender bias within mainstream media.
One of the key leaders among the Christian and Muslim women who banded together for peace in Liberia is Leymeh Gbowee. Her experience anchors the film. Through the many awards Pray the Devil Back to Hell won and speaking opportunities, Gbowee became widely know in peace circles. The film has had a lasting impact which she believes can inspire more women. Gwobe writes: “This documentary is like a landmark or something that tells other women, ‘People did it before we came, we’ve done it, and they can also do it. It is not a fluke. It can happen. People just need to rise up and rise above the politics that so deeply divide us as women.”
Pre-dawn on a brisk October day in 2011 the Disney-Hauser household was bubbling with excitement. A teenage daughter of Leymeh Gbowee was living with Abigail’s family and attending school in the U.S. Leymeh Gbowee, too, was in New York promoting her newly released book, Mighty Be Our Powers: How Sisterhood, Prayer, and Sex Changed a Nation at War. News from Oslo swarmed across the Atlantic before first light, announcing that Leymeh Gbowee was one of three women to win the Nobel Peace Prize. The film Disney had produced three years earlier, her first venture in movie making, had given an international stage to the women’s peace efforts in Liberia. The power of film had an indelible effect.
During this same Fall, 2011, Disney and Reticker teamed up with WNET to create a five-part series, Women, War and Peace, for PBS. At the time, Donna Williams, Senior Publicist for WNET declared, “This series is rare in that it puts women at the center of an analysis of conflict and peace.” The five videos from 2011 can be viewed online.
Vessel, a film about the stellar work of Dr. Rebecca Gomperts and her Women On Waves program that brings abortion services across the high seas, is another important work that Abigail Disney has helped deliver to the film world. Director Diana Whitten in August 2011 joyously wrote me: “Some exciting news! Abby Disney has joined the Vessel crew as Executive Producer!” Having a dedicated producer is key for successful film completion, and I was thrilled to see Abigail stepping into such a role in advancing other women’s films.
Official funding is listed as 2013 for VESSEL. By 2013, Fork Films had already supported over a dozen films. A more formalized funding program from Fork Films emerged around the time that VESSEL was released in 2014. Another forty films are featured that have been funded through Fork Film since 2013. All totalled, the company states it has “supported nearly 90 documentaries that support peace and social justice.” Among the list are highly acclaimed works including Cameraperson, Strong Island, and Roll Red Roll. Grants range from $10,000 to $50,000. The next grant deadline will be in the Fall of 2018.
Ninety productions in less than a decade is a sizable collection of works by women supported by one entity. When you leave the darkness of the screening room, you can see that Abigail Disney is on the move, again. She is not resting on these laurels. In late May, she was a speaker on a recent panel about Violence Against Women at the Women+Money Summit organized by the Women’s Funding Network.
Earlier this month she was again with Rev. Rob Schenck, this time at Harper Collins in New York for the release of his book, Costly Grace: An Evangelical Minister’s Rediscovery of Faith, Hope and Love. In promoting the book, they spent an hour via his Facebook page discussing its content, their friendship and work together. He read from the acknowledgments: “Finally, it was Abby Disney who first prompted me to write this book, then nudged me until I had unstoppable momentum. Abby was the angel behind this undertaking.“
They described their first meeting. Disney voiced, “I was looking for someone who was politically different from me in every conceivable way to try to make common cause. I hoped to take the discussion of gun ownership in America back to its roots and talk about it from a moral, ethical and religious standpoint. Who I met instead of a fire-eating dragon was a menschy guy.” The common thread was that they both “crossed over.” Disney’s family was conservative. Schenck’s family of origin was liberal. So, as Disney underscored, “We are both bilingual. That is what this book is about.”
Schenck went on to describe how his work became over-framed by politics and that he lost his spiritual compass. A whole chapter of the book deals with how Evangelicals made a deal with Donald Trump and lost their moral compass. Later, in discussing Dietrich Bonhoeffer and a crisis in the church in Germany in the early 30s, Schenck discussed how Evangelicals had made a deal with Hitler.
Both Disney and Schenck delved into the conundrum of making people mad as hornets in their different worlds. Disney asked, “How do we reach out to them? How do we help them get past their anger…….not only for the people who are angry with us, but the people who we are angry with.”
Feminist Changer, Feminist Changed
“Change is hard for all of us….you’ve changed more than I have. I feel guilty about it sometimes.” Disney prefaced as she asked Rev. Schenck a final question. I queried her further on this and she responded: “Yes, for sure, I truly have changed through the meta-partisan work. It’s made me more kind, it’s made me more prone to approach issues with love instead of hostility, and it has widened my networks and spheres of influence. It’s been nothing but good!”
Watch out. Abigail Disney is on the move. Stretching her own mind and moral compass, lifting the minds and experiences of others as a part of her own expanding experiences. Focusing on common cause, she may just be changing more than she knows. And, as I suspected, she assured me she does have “a glimmer” of a new film bubbling up,“But, I can’t talk about it yet.”
ARIEL’S PITCH: Support independent women’s narrative filmmaking with your dollars. A feature, By Now I’ve Lived A Thousand Lives and None of Them Are Mine, is directed by Britni West. Regional filmmaking is vital to cultural diversity. She has $13,000 more to raise by July 20 in Kickstarters’ “all-or-nothing” process. Over on Indiegogo, is Wonderland, a comedy written by and starring Yetide Badaki. Directed by Jessica Sherif, Zodwa, like Alice, stumbles through the looking glass into Hollywood. Will she survive the madness? Only if you assist to raise the remaining $8,400 by July 9th.
