Activist women donors are the wave of the future for social change. Activism is an essential part of feminist philanthropy. Women donors are often hyper-conscious of their inner-outer integrity as feminists, and work hard to align their activism with their giving. See how women donors take action with feminist activist giving for social change.
Editor’s Note: The following post was first published on March 1, 2021, at the conclusion of our Feminist Giving IRL contest.
Feminist Giving IRL Contest Winners Announced!Final Vote Shows Strength in Numbers and Rising Interest in Gender Equality in the Arts, Global Development, and Women in Tech
Gender Equality in Dance, Global Girls Equality, and Women in Tech are the 3 Big Winners
A total of 563 people voted in our Feminist Giving IRL Top Tier Contest. A graphic below shows the distribution of final results.
Congratulations to Our Winners!
First, a heartfelt congratulations to our winners, and thanks to all the women leaders profiled in Feminist Giving IRL for being willing to participate in this event. Each of our winners will receive a $100 honorarium and will be invited to participate in our Zoom-based Top Tier Crowning Webinar where we celebrate their accomplishments and discuss their plans for the future of gender equality in their work. Stay tuned for further details on that event.
Editor’s Note: the following post was originally published on February 3, 2021.
Here at Philanthropy Women, we started a series called Feminist Giving In Real Life (F-GIRL) to provide a platform for women leaders at all levels who are giving in a feminist way. This giving can happen through donations and funding strategy, through professional excellence, and/or through leadership efforts in the community. Feminist giving is a form of leadership that has special impact because it often combines deeply personal experience and significantly political thinking and acting.
Yesterday, Alexandria Ocasio-Cortez performed what I would call a supreme act of feminist giving. When AOC spoke out against the January 6th riots and connected these riots to her experience of being sexually traumatized, she simultaneously stood up for every human who has experience sexual assault, and challenged the largest political body of our country to acknowledge how the January 6th riots are part of a continuum of pervasive violence against women, people of color, and other marginalized groups.
On July 14th, the Gay, Lesbian, and Straight Education Network (GLSEN) welcomed Imara Jones and Malachi Garza to their Board of Directors. Jones, recently announced as a Nathan Cummings Fellow, and Garza, organizing director of Solidaire Network, join a robust team of educators, funders, and educator advocates devoted to creating affirming educational environments for LGBTQ+ youth.
Founded in 1990 by a group of teachers who identified educators’ role in creating a safe and learning-conducive environment for LGBTQ+ students, GLSEN leverages educational activism, extensive research, and student-led movements to uplift evidence-based solutions for LGBTQ+ youth.
For a group of self-described “theater kids”, putting away onstage personalities and shutting the door may have been more difficult than most. But as we move closer to “normal”, one of the first returns we’re eager to see is the return to the stage — and not just the return of the classics, but the start of something new and incredible building its way out of the pandemic.
At The Great Salt Lake Fringe Festival, held this July and August in Salt Lake City, Utah, the return to the stage is more than just a celebration of live performance. Fringe, as an arts movement, is known for themes and stories on the edges — and this year, the rise of marginalized directors, all-female casts, and feminist narratives is more apparent than ever.
Editor’s Note: This interview in our Feminist Giving IRL series featuresShira Ruderman, Executive Director of the Ruderman Family Foundation, a private family foundation that invests in three primary areas of focus: advocating for and advancing the inclusion of people with disabilities throughout our society, strengthening the relationship between Israel and the American Jewish community, and modeling the practice of strategic philanthropy worldwide.
1. What do you wish you had known when you started out in your profession?
I wish I knew philanthropy is a life journey that you cannot get separated from. I view it like parenthood, you learn as you go. Philanthropy makes you recognize your passions, skills, views on life.
Editor’s Note: This interview was originally published in July, 2017.
I have spent the past few years observing, writing about, and getting more involved in the world of women’s philanthropy. During that time, multiple experts have referred to the work of Kimberlé Crenshaw as being essential to the changes we now see going on in philanthropy, with more efforts to apply both a gender and race lens when framing problems and funding new strategies.
Indeed, with her scholarship, advocacy, and legal expertise, Crenshaw has helped build and disseminate whole new areas of knowledge including critical race theory and intersectional theory. These concepts have helped philanthropists like Peter Buffett and organizations like the NoVo Foundation apply an inclusive gender and race lens that values and addresses the needs of women and girls of color in the United States.
A recently revealed trend of female entrepreneurs using fake male assistants demonstrates how gender norms play out in business communication.
It is no surprise that women in business, especially those who are themselves entrepreneurs, face unique difficulties. A number of women have spoken out about this. A few women have even come out to reveal how they navigate these issues.
One way they have found helps their work is by having a fake male assistant who handles certain tasks.
Kelly Doody and Jandra Sutton are two such entrepreneurs who utilize this tactic. Doody is the CEO of Social School, and Sutton is a podcaster. Sutton revealed her use of a fake male assistant in a tiktok that went viral, seen here.
What do you wish you had known when you started out in your profession?
The short answer is “everything!” By the time I began working for foundations, I had spent about ten years on the public charity side of the table, and prior to that, I worked as an attorney for a number of years. When I reached the philanthropic stage of my career, I had quite a bit of experience in the workplace and in the nonprofit sector. Despite that, I had no idea that private foundations were subject to many more rules and requirements than public charities are, or that institutional philanthropy had its own established culture and norms.
Editor’s Note: Sometimes art can be restorative and help us, as donors and activists, to see the world in a new light. The following exhibition by Vickie Pierre provides much-needed artistic attention to issues related to women, people of color, and other marginalized communities.
The Divine Feminine Interventions of Vickie Pierre
Vickie Pierre: Be My Herald of What’s to Come
On View June 9 through September 5 at the Boca Raton Museum of Art Like the town crier in a fractured fairy tale, “Be My Herald of What’s to Come” rings in Vickie Pierre’s premiere solo museum show at the Boca Raton Museum of Art. Grounded in the Arts and Crafts movement, her installations have a storybook feel. A fractured fairy tale is, after all, a new twist on an old story, reimagined and restructured for a contemporary sensibility. Just as fractured fairytales can be more subversive than the traditional fables, the playfulness and whimsical flourishes of Pierre’s assemblages are underscored by her pull towards the beautifully grotesque.
Editor’s Note: The following essay from Sonal Sachdev Patel, CEO of God My Silent Partner Foundation, discusses the poor quality of life that many professionals in the nonprofit sector live with, and ways to improve that quality of life.
We live in a society that too often equates money with power – and there are very few people with more money than MacKenzie Scott.
That’s why I was delighted to read her latest Medium post in which she makes the case for philanthropists getting more done by ceding power and getting out of the way.
That is, providing long-term, unrestricted funding to high-impact nonprofit organizations so they can get on with the important work of making positive change.