How can we properly honor healthcare professionals risking their lives on the front lines of COVID-19? Philanthropist and art collector Sandi Nicholson, and her husband Bill Nicholson, recently announced the launch of “Nurse Heroes,” an art contest and fundraising campaign to support the healthcare heroes of 2020.
“This year we celebrate the bicentennial of the birth of Florence Nightingale, founder of modern nursing and the first nursing college,” the Nicholsons announced in a press release. “Today, the legacy of Florence Nightingale continues, with people all over the world opening their doors and windows to show appreciation for our health care workers on the front lines. With ‘Nurse Heroes’ we recognized an opportunity to do more.”
One of Many, a short film about the 2017 Women’s March, and an official selection of the upcoming 2020 International New York Film Festival, is seeking digital distribution. As the Trump era lurches to a close, and new rounds of protests occupy the streets, One of Many documents the women’s marches that occurred nationwide three-and-a-half years ago in opposition to Trump, and more broadly, to sexism, patriarchy, and racism.
“The film captures the widespread, collective outrage that President Trump’s inauguration provoked while contextualizing it within historical human rights movements,” notes One of Many Executive Producer Jessica Good. The sixteen-minute documentary is directed by M.J. Bernier and debuted last fall at Atlanta’s Out on Film festival, one of the oldest and largest LGBTQ+ film festivals.
Sheridan Road, a “luxury and lifestyle” magazine out of Chicago that focuses on North Shore activities, did a recent feature of Elizabeth “Liza” Yntema, whose work in dance equity we have covered here at Philanthropy Women. Liza has also participated in our Feminist Giving In Real Life (F-GIRL) series.
The wonderful thing about this interview, written by Allison Duncan, is how effortlessly it moves through different layers of experience as we come to understand the subject’s world view. The article starts with a foray into Liza’s family history of accused Salem witches, early women scientists, and Depression-era bankers with integrity. From the article:
Yolanda F. Johnson is rolling out Women of Color in Fundraising and Philanthropy (WOC) to support her colleagues in the field. Johnson is a multi-faceted juggernaut whose life’s work encompasses the performing arts, teaching, and non-profit management, with an accent on women, and women of color, in philanthropy and the arts.
Johnson is the first African-American to serve as President of Women in Development, a 40-year-old organization devoted to empowering and supporting New York-area women in the development field. She has an M.A. in arts management, and is a lyric soprano and music composer, teacher, and director. Johnson has performed nationally and internationally in operas, solo concerts, oratorios and sacred music, and is a recitalist and lecturer with a particular interest in spirituals related to the Underground Railroad. She is co-creator of Music She Wrote, a concert celebration of women composers.
“Rather than seeking stark divisions between approaches or themes within feminism, perhaps we should instead look for the many possibilities for productive coalitions.” – Sally J. Scholz
It’s no secret that art comments on, fights against, and breaks the molds of society. Sometimes, it even forms the basis from which activists and earth-shakers build platforms to enact real social change.
The Feminist Art Coalition (FAC) seeks to create a platform where art projects can build creative collaborations between artists and their societies, in exhibitions that give established institutions a way to give voice to their commitments to social justice and structural change. Supported by The Andy Warhol Foundation for the Visual Arts, FAC connects art museums and nonprofit institutions to present a series of events beginning in Fall 2020, and continuing over the course of one year–a critical year, as we’ve mentioned, leading up to the next American presidential election.
The Andrew W. Mellon Foundation announced the appointment of Deborah Cullen-Morales as the Foundation’s new program officer for Arts and Cultural Heritage. Cullen-Morales will join the Foundation on May 1.
As a program officer, Cullen-Morales will help shape and direct work in the visual arts across a range of grants and research initiatives supporting art museums, cultural heritage preservation, and conservation.
“Having led multiple arts institutions, including museums, university galleries, and artist-run spaces, Deborah brings to the position field-wide perspective, deep appreciation of the central role of artists in shaping arts organizations, and a vast network of relationships with artists, curators, scholars, and cultural leaders,” said Elizabeth Alexander, president of The Andrew W. Mellon Foundation. “We are thrilled to welcome Deborah and look forward to working with her.”
Everyone’s talking about it: the coronavirus crisis. As more and more cities and countries take on “stay at home” orders and work to tackle growing medical shortages, events around the world are facing the difficult question of postponement or cancellation.
For smaller events, cancellation is the same as admitting defeat. Many conventions and festivals run by new or non-established organizations simply cannot survive a year’s worth of lost ticket sales, vendor contracts, and speaking arrangements.
So what can we do to help these organizations survive?
Philadelphia’s Leeway Foundation recently announced the next step in the application process for their annual Art and Change Grants and Transformation Awards.
From 4:00 to 5:00 PM ET on Thursday, April 2nd, Program Director Melissa Hamilton will hold a virtual information session via Facebook Live. The session will cover the Foundation’s mission and available grants–most importantly, the session offers interested artists the opportunity to ask questions about the application process for the Leeway Transformation Award, which closes its application window on May 15th.
National Network of Abortion Funds and Forward Together Unveil Art Campaign Illustrating Multigenerational Support for Abortion as an Act of Love
On Roe anniversary, new artwork envisions the power of compassionate abortion support because everyone loves someone who had an abortion
As this week marks the 47th anniversary of Roe v. Wade, the National Network of Abortion Funds and Forward Together are launching an art campaign that envisions multigeneration love and support during abortion. Forty-seven years after Roe, and in light of attacks attempting to block abortion access at the state and federal level, it’s apparent that Roe was never a promise to abortion access. The recent wave of attacks on abortion have left community members confused about where and if they can access abortion services. Many people are left facing increased attacks, intimidation at clinics, and stigma from their communities for accessing the care that they need—all pushing abortion access even further out of reach.
Editor’s Note: This interview in our Feminist Giving IRL series features Elizabeth Yntema, president and founder of the Dance Data Project (DDP), which promotes “equity in all aspects of classical ballet by providing a metrics-based analysis through our database while showcasing women-led companies, festivals, competitions, venues, special programs and initiatives.”
1. What do you wish you had known when you started out in your profession?
I wish I had had a female mentor, and she had reassured me that success isn’t defined by a linear path. I have been a corporate attorney, a lobbyist, worked as the Director of Governmental Affairs of the Chicagoland Chamber of Commerce, was employed part-time as a consultant, opened an art gallery and, with three small children, focused on volunteering for a time. Now, I use every single one of my experiences and skills acquired over the decades.