The Many Faces of Love: Responses on Take the Lead Virtual Happy Hour

Virtual Happy Hour, hosted by Take the Lead, is a once-a-month event spotlighting women leaders.

Last evening, I had the pleasure of being a panelist on Take the Lead Virtual Happy Hour, hosted by Gloria Feldt. The topic for discussion was The Many Faces of Love: How Women & Philanthropy Can Change the World. Here are my responses:

  • What are the challenges for you in philanthropy?

Like everyone, my challenges are fundraising. I knew when I launched Philanthropy Women, I couldn’t do it on my own. I needed key stakeholders, so reached out for support from women who I knew who wanted to grow the sector of media attention for gender equality philanthropy.

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How Funny Girls is Growing Improv-Driven Leadership for Tweens

Funny Girls, a new program being piloted by the Harnisch Foundation around New York City and in Richmond, Virginia, engages girls in improv to build leadership skills. (Photo credit: Stephanie Buongiorno.)

Learning how to laugh as much as possible can be a key component to sane living, particularly in today’s regressive political and social scene. The Ms. Foundation for Women recently hosted its 22nd Annual comedy night, calling it “Laughter is the Best Resistance,” where Gloria Steinem did stand-up. Meanwhile, women like Jane Fonda and Lily Tomlin are moving into the executive producer role for hit comedies like Grace and Frankie.

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Check Out #FundWomen Remixed with Storify

An interesting new tool called Storify helps to aggregate a social media conversation into a story. This is the first one I have created, and it was pretty easy!

The Storify helps to see who participated and to review what everyone said. We had some excellent questions and commentary, including participation from PBS To the Contrary, Philanthropists Ruth Ann Harnisch (disclosure: she is a sponsor of Philanthropy Women) and Jacki Zehner, as well as many nonprofits and women’s funds. Check it out!


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Philanthropy Women at 6 Months: An Update on Our Growth

Philanthropy Women pages have been viewed thousands of times, and our spotlight organizations are enjoying more media attention.

Dear Faithful Readers of Philanthropy Women,

First, of course, thank you for reading. You are bravely joining me on the sometimes harrowing adventure of learning about gender equality philanthropy. I thank you for joining me on this journey.

Also, thank you to our sponsors, Ruth Ann Harnisch and Emily Nielsen Jones. You have provided an amazing opportunity to advance the knowledge and strategy of progressive women’s philanthropy, and for that you are wholeheartedly thanked.

Thank you, as well, to our writers — Ariel Dougherty, Jill Silos-Rooney, Tim Lehnert, Kathy LeMay, Susan Tacent, Betsy McKinney, and Emily Nielsen Jones. Your work reading, interviewing, thinking, and writing about women’s philanthropy has resulted in my receiving tons of positive correspondence about our content. The internal numbers also validate that we are making an impact.

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This Health Foundation is Investing in BIRTHRIGHT, a Critical Public Health Film for Women

Leading discussion at the opening New York City screening. Left to right: Luchina Fisher, producer; Lynn Paltrow, Executive Producer, National Advocates for Pregnant Women; Civia Tamarkin, Director, Writer and Executive Producer; and Dr. Ruth Shaber, Founder, Tara Health Foundation and Executive Producer

Collectively, state legislatures passed 288 restrictions on women’s reproductive rights between 2010 to 2015. Now, a new film tells the stories of women’s horrific health experiences, and the imprisonments, both actual and threatened, that are a consequence of these laws.

Birthright: A War Story is a new documentary that exposes the radical religious right’s infiltration state legislatures. This movement’s goal is not only to strike down women’s constitutional right to abortion but also to curb women’s access to birth control. Some seek to put the rights of fetuses above those of women.

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Imagining What Is Possible: This Young Feminist Funder is Growing Women’s Media Globally

FRIDA is a global feminist funder dedicated to social change. It has made $1.3 million in direct grants to over 150 groups in over 80 different countries.

Young feminists have been organizing across the globe for decades, but their work, particularly in the media sector, has been woefully underfunded. I know, since I was one of them. In 1969, when I co-founded Women Make Movies, women’s funds didn’t exist.

Over the decades, thousands of young activists have gathered at events like the International Forum on Women’s Rights and Development, the flagship event of AWID (Association of Women’s Rights in Development), and have talked about the need for more funding for young feminists, particularly in media. As the last decade closed, many young activists lamented that no women’s fund specifically addressed their youthful organizing needs. So they decided to start their own, with AWID and Fondo Centralamericano de Mujeres (Central America Women’s Fund) incubating this spark of an idea.

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Where’s the Dough for Women in Film? Ariel Dougherty Surveys the Scene

Still image from film BORN TO FLY, featured on the Chicken and Egg Accelerator Lab site.

The telling of more women’s stories is necessary to advancing women’s lives. Regrettably, though, a mere 4.6% of Hollywood features today are directed by women. As a result, women have fewer speaking parts – 34% according to Dr. Martha Lauzen’s 2015 annual report “It’s a Man’s (Celluloid) World.” And only 22% of the protagonist were women.  This leaves a huge gap in one of America’s most popular exports. Is this really the picture people in the United States want to offer around the globe?

For decades, film women have been working to change this picture. Especially since the Equal Employment Opportunity Commission officially took up a complaint over a year and a half ago, discussions among women in Hollywood and elsewhere have intensified.

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Statement from Secretary Clinton and President Clinton on the Passing of David Rockefeller

David Rockefeller, 1953, public domain from the U.S. National Archives and Records Administration

Certainly it is worth noting for women in philanthropy when one of the great  funders of progressive causes passes on.

More will need to be said on this blog about how David Rockefeller contributed to the evolution of women’s empowerment in philanthropy. For now, we offer prayers and good thoughts for the Rockefeller family as they celebrate his amazing life and navigate this transition.


From The Clinton Foundation:

David Rockefeller was a consummate businessman, a great humanitarian, and a serious scholar. He was a kind, good man to all who met him. Hillary and I are grateful for his friendship and his remarkable life.

Throughout his life he used his fame and fortune to do good here and abroad. His many efforts included the establishment of the Council of the Americas five decades ago, which was instrumental in my administration’s efforts to alleviate the financial crisis in Latin America and boost trade in the Americas and the Caribbean. His tremendous support of arts and humanities in America gave millions of people in communities across the country the opportunity to experience our great heritage of painting, dance, music, and so much more. For these efforts and many others, I was proud to present him with our nation’s highest civilian honor, the Presidential Medal of Freedom.

We celebrate a long life well-lived and send our gratitude and prayers to his family and all who supported him on his remarkable journey.

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Love is What’s Needed: Justine Bevilacqua on Growing the Arts and Social Justice in Providence

Justine Bevilacqua, Director of Video Program, Marketing and Fund Development, Everett

“Unconditional love for people is what’s needed,” says Justine Bevilacqua. She speaks with a calmness that somehow also conveys how strongly she feels about this. “Of course, you have to draw the line sometimes,” she adds, “and there are bad people in the world, but just seeing people as humans, I definitely think the world needs more of that.”

Bevilacqua was 3 years old when her maternal grandmother Dorothy Jungels and several of Dorothy’s children acquired the carriage house that would become a place dedicated to the arts and social justice in Providence, Rhode Island. Doing most of the renovation themselves, they turned the neglected building into a studio and theater and named it Everett, after Everett Weeden, a fellow artist and family friend.

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