Northfield, IL | November 19, 2020 Dance Data Project® (DDP) today announces the social media campaign, Connecting the Dots – #YesThisIsAnArtsStory, designed to draw attention to the catastrophic effect of the COVID-19 pandemic on women in dance and the performing arts in general. The campaign will begin on Monday, Nov. 23 and run for three weeks, ending on Friday, Dec. 11.
“While NPR, and business publications such as the Wall Street Journaland Forbes have documented the asymmetric impact of the pandemic on women economically, we haven’t seen similar work by arts reporters, looking at the industry as a whole,” said DDP President and Founder Liza Yntema. “Our campaign is designed to ‘connect the dots’ between layoffs and furloughs at the lower tier of performing arts not for profits where women typically work, the already existing gender pay gap, and the crushing pressure women feel due to child and elder care duties resulting in what is being termed the ‘Shecession’.”
On Thursday, August 27th, we gathered for this month’s Philanthropy Women webinar: Women in Media Changing the Game. With guests Lori Sokol, Ruth Ann Harnisch, and Johanna Derlega, we discussed the under-funding and under-representation of female journalists and women’s media outlets, as well as ways funders can work to fix this under-representation.
How To Increase Funding for Women in Media
Editor-in-Chief Kiersten Marek kicked off the call with a reminder to breathe, and introduced today’s theme: Women in Media Changing the Game.
“We know now more than ever how important women’s leadership is,” she said. “COVID has taught us that women leaders in countries around the world have had much better success with managing COVID. And that’s just one example of the women’s leadership differential—the ability to prioritize health and the well-being of others.”
For her new song “Rooted,” Grammy Award winner Ciara has partnered with the non-profit Grantmakers for Girls of Color (G4GC), which will receive a portion of the song’s proceeds. “Rooted,” featuring and co-written by producer/songwriter Ester Dean, is a follow up to their 2019 Black female anthem “Melanin,” and celebrates Black Lives Matter, Black women, Black history and culture, and pregnancy.
“Rooted” was released by Ciara’s company Beauty Marks Entertainment, which is dedicated to creating business opportunities for women at the intersection of music, tech and philanthropy. The song’s video was filmed just before Ciara gave birth to her third child, Win Wilson, and prominently features Ciara’s pregnant body. It was directed by African American photographer/artist/filmmaker Annie Bercy.
As a writer and publisher, I was excited to recently rediscover my passionate interest in creating and supporting visual art. The pandemic has had many terrible impacts on our lives, but one positive impact it had for me was getting me more engaged in my own love for art. During the extended times many of us have been spending socially distancing, I began to paint, first doing portraits of African Americans, and then moving on to still life paintings and impressionistic landscapes.
In an effort to support women and LGBT+ artists, we launched our first art contest recently. The theme for the contest was “About Women” and we received more than 100 entries of some stunning and moving visual art pieces. There were 185 votes on the entries, and the winners were chosen by public vote, so popularity was more of a factor, as opposed to a contest that is judged by a jury of artists.
Thank you to all the readers and new subscribers who are joining us daily. It’s really great to feel the Philanthropy Women community growing. As editor, I want to alert readers to the resource of our Gender Equality Funder Knowledgebase. This is the place where you can find funders for gender equality across categories of corporate, private, and family foundations.
We aim to list all funders for gender equality in both the U.S. and globally and have been steadily building this database out for over a year. We now have over 500 listings and are currently adding about 8 new entries to the database every week, so we hope these additions are helping feminist nonprofits find more resources for their work.
A newly published Dance Data Project (DDP) “Season Overview” report indicates that men choreographed 72 percent of works produced by the United States’ top 50 ballet companies during the 2019-20 season. While the gender disparity is significant; the figure represents an improvement over 2018-19 when 81 percent of works were choreographed by men. Nevertheless, as the report indicates, ballet equity has a long way to go.
“The entire DDP team is inspired by the rising number of commissioned women’s works,” said Liza Yntema, DDP Founder and President. “Yet, inequity is still present in some of the most notable categories of performance. Works choreographed by men continue to overwhelmingly populate the main stage, while women’s works are often relegated to special programs and sandwiched into male-dominated mixed bills.” Yntema also worries that women’s gains will be lost if company directors perceive that hiring more men represents a “safe choice” in a turbulent economy. Such thinking will make it more difficult to attract the new audiences that are critical to ballet’s survival.
“You don’t exist if you’re not represented… I felt a need to claim my own social existence by making the representation happen.” – Njideka Akunyili Crosby
As women, as people, and as philanthropists, what does womanhood mean to you? In ABOUT WOMEN, Philanthropy Women‘s first art contest, we seek to answer that question through the lens of the artist: finding what womanhood means in our worlds and the worlds around us.
Introducing ABOUT WOMEN: A Contest to Celebrate Women’s Art
Join us for the first Philanthropy Women art contest, designed to shine a light on women and LGBT+ artists. Enter today for your chance to win a cash prize and a six-month feature on Philanthropy Women!
How can we properly honor healthcare professionals risking their lives on the front lines of COVID-19? Philanthropist and art collector Sandi Nicholson, and her husband Bill Nicholson, recently announced the launch of “Nurse Heroes,” an art contest and fundraising campaign to support the healthcare heroes of 2020.
“This year we celebrate the bicentennial of the birth of Florence Nightingale, founder of modern nursing and the first nursing college,” the Nicholsons announced in a press release. “Today, the legacy of Florence Nightingale continues, with people all over the world opening their doors and windows to show appreciation for our health care workers on the front lines. With ‘Nurse Heroes’ we recognized an opportunity to do more.”
One of Many, a short film about the 2017 Women’s March, and an official selection of the upcoming 2020 International New York Film Festival, is seeking digital distribution. As the Trump era lurches to a close, and new rounds of protests occupy the streets, One of Many documents the women’s marches that occurred nationwide three-and-a-half years ago in opposition to Trump, and more broadly, to sexism, patriarchy, and racism.
“The film captures the widespread, collective outrage that President Trump’s inauguration provoked while contextualizing it within historical human rights movements,” notes One of Many Executive Producer Jessica Good. The sixteen-minute documentary is directed by M.J. Bernier and debuted last fall at Atlanta’s Out on Film festival, one of the oldest and largest LGBTQ+ film festivals.
Sheridan Road, a “luxury and lifestyle” magazine out of Chicago that focuses on North Shore activities, did a recent feature of Elizabeth “Liza” Yntema, whose work in dance equity we have covered here at Philanthropy Women. Liza has also participated in our Feminist Giving In Real Life (F-GIRL) series.
The wonderful thing about this interview, written by Allison Duncan, is how effortlessly it moves through different layers of experience as we come to understand the subject’s world view. The article starts with a foray into Liza’s family history of accused Salem witches, early women scientists, and Depression-era bankers with integrity. From the article: