On September 10th and 11th, 2020, Women Moving Millions holds its annual summit. The 2020 theme–The Power of Us–has particular resonance in a year blighted by pandemic, recession, and political struggle, and speaks to the ways we can do so much more when we work together.
The two-day virtual event offers sessions for WMM members only on September 10th, followed by an action-packed day open to invited non-members and prospects on September 11th. What’s more–the event is completely free!
Sponsored by the Bill & Melinda Gates Foundation and PJT Partners, the 2020 summit will focus on community, connection, and collaboration as tools to working toward a more just and equitable world.
To those on the outside looking in, the story of women and girls’ social advancement may look like a road paved with victories. To those within the sphere of feminist philanthropy, however, that road has more twists and turns than many realize. We cannot deny the progress we’ve made in recent years, but we also cannot ignore the inequality, violence, and oppression women and girls still face around the world today.
But where does this oppression come from? When did we as a society learn to value boys over girls, to treat women like property or lesser beings? Why do we have to fight against it in the first place?
Imago Dei Fund, through a free program presented by Emily Nielsen Jones and Rev. Domnic Misolo, seeks to answer these questions with a six-month reading journey through the history of patriarchy. Examining the liberation of women through historic and faith-based lenses,“The Girl Child & Her Long Walk to Freedom: Putting Faith to Work Through Love to Break Ancient Chains” offers participants six months a guided tour with readings, group discussions, and reflections centered around the emancipation of girls and women.
I’ve lived and breathed women’s philanthropy for much of my career, from the cubicles of corporate philanthropy, to the living rooms of philanthropists, and the open-office workspaces of nonprofits both large and small. While constantly assured I was in the most “game-changing” and “innovative” conversations on giving, rarely can I recall speaking about the contributions of Black women in philanthropy.
When you ask most people to name philanthropic leaders, the list is usually populated by their family members plus a few American tycoons. Industrialists of the early 20th century such as Andrew Carnegie, Henry Ford and John D. Rockefeller come to mind, as do the technology and finance titans of today. Reflecting the historic racial divisions in financial wealth in America, philanthropic history and communities largely reflect the charitable actions of white ultra- wealth.
On Thursday, August 27th, we gathered for this month’s Philanthropy Women webinar: Women in Media Changing the Game. With guests Lori Sokol, Ruth Ann Harnisch, and Johanna Derlega, we discussed the under-funding and under-representation of female journalists and women’s media outlets, as well as ways funders can work to fix this under-representation.
How To Increase Funding for Women in Media
Editor-in-Chief Kiersten Marek kicked off the call with a reminder to breathe, and introduced today’s theme: Women in Media Changing the Game.
“We know now more than ever how important women’s leadership is,” she said. “COVID has taught us that women leaders in countries around the world have had much better success with managing COVID. And that’s just one example of the women’s leadership differential—the ability to prioritize health and the well-being of others.”
The Women’s Philanthropy Institute (WPI) at the Indiana University Lilly Family School of Philanthropy is partnering with the Bill & Melinda Gates Foundation on a new nearly two million dollar grant whose goal is to “advance actionable, global research on women’s giving to inform and equip donors and nonprofits.”
The funding will fuel WPI’s ongoing research on domestic and global women’s giving, and empower organizations, donors and fundraisers to put these research insights into practice. Since 2015, WPI has conducted research on gender and philanthropy that helps inform the foundation’s Giving By All initiative, which is focused on growing giving and helping donors give more effectively and strategically.
1. What do you wish you had known when you started out in your profession?
The fundraising field is quite secretive, as organizations fear that sharing their donor experiences would have repercussions on their relationships, or that they would have to compete for funds if they disclosed what opportunities they are working on. It’s so weighty to work in silos, feel isolated and overwhelmed with the “I have to do it all on my own” mentality. That makes fundraising burnout very real, with lasting effects on our well-being and health, and affects so many of us in philanthropy, especially those working in resource mobilization.
In the next ten years, how can we guarantee more women in positions of leadership? How do we address the lack of diversity in our organizations and communities? And how do we empower the next generation of women and girls to never take no for an answer, pursue their goals, and find boundless success?
LiveGirl seeks to answer these questions through leadership and skill-building courses that reach middle school girls where they’re at: By empowering young women to reach for the stars while lifting each other up, LiveGirl aims to support the next generation of brave, inclusive leaders.
“We coach girls to embrace their original, quirky selves and to understand that self-confidence comes not from others liking you, but from you loving yourself,” says Sheri West, Founder and Chief LiveGirl. “Our mentors show them that when they truly believe in themselves, they will become unstoppable and astounding things will happen!”
Editor’s Note: This interview in our Feminist Giving IRL series features Catherine Berman, CEO and Co-founder of impact investment platform CNote.
1. What do you wish you had known when you started out in your profession?
Question what others deem impossible.
2. What is your current greatest professional challenge?
Education. We see values-based investing as a game-changer for both investing and creating a more sustainable, equitable world. We spend a lot of time helping investors and donors learn about the measurable difference they can make with their investments without sacrificing returns or operational ease. Many of us grew up learning the only way to support the causes and communities we care about was through grants. That is no longer the case. We see impact investing as an important opportunity to double-down on the causes you care about and a way to authentically represent your values with every dollar; where you spend, where you donate, and where you invest.
“We’re gonna get it done.” These were some of the first words spoken by Vice Presidential Candidate Kamala Harris in her phenomenal half-hour interview with Errin Haines, Editor-at-Large for the 19th, during the 19th Represents Summit on Friday. Harris’s plans to “get it done” refer to the upcoming Presidential election, and her goal to join Joe Biden in leading the U.S. out of one of its worst crisis periods in history.
Haines began the interview by asking what it was like for Kamala Harris to be in competition with women she respected and worked with, other candidates who were running for President and were in the lead to be asked to fill Biden’s ticket for the Vice President spot.
As a writer and publisher, I was excited to recently rediscover my passionate interest in creating and supporting visual art. The pandemic has had many terrible impacts on our lives, but one positive impact it had for me was getting me more engaged in my own love for art. During the extended times many of us have been spending socially distancing, I began to paint, first doing portraits of African Americans, and then moving on to still life paintings and impressionistic landscapes.
In an effort to support women and LGBT+ artists, we launched our first art contest recently. The theme for the contest was “About Women” and we received more than 100 entries of some stunning and moving visual art pieces. There were 185 votes on the entries, and the winners were chosen by public vote, so popularity was more of a factor, as opposed to a contest that is judged by a jury of artists.